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B005593 - HISTORY OF RENAISSANCE AND BAROQUE THEATER
Main information
Teaching Language
Course Content
Suggested readings
Learning Objectives
Prerequisites
Teaching Methods
Further information
Type of Assessment
Academic Year 2016-17
Coorte 2016 - Second Cycle Degree in PERFORMING ARTS
Course year
First year - First Semester
Belonging Department
History, Archaeology, Geography, Fine and Performing Arts (SAGAS)
Course Type
Single education field course
Scientific Area
L-ART/05 - PERFORMING ARTS
Credits
6
Teaching Hours
36
Teaching Term
19/09/2016 ⇒ 22/12/2016
Attendance required
Yes
Type of Evaluation
Final Grade
Course Content
show
Lectureship
Mutuality
Course teached as:
B005593 - STORIA DEL TEATRO DEL RINASCIMENTO E DEL BAROCCO
Second Cycle Degree in PERFORMING ARTS
Curriculum STORIA E CRITICA DELLO SPETTACOLO
B005593 - STORIA DEL TEATRO DEL RINASCIMENTO E DEL BAROCCO
Second Cycle Degree in PERFORMING ARTS
Curriculum STORIA E CRITICA DELLO SPETTACOLO
Teaching Language
Italian
Course Content
The course aims to explain the reciprocal interferences between the two fundamental aspects
which stand at the base of the renaissance and baroque theatre (XVI-XVII centuries): on a side, the professionalism of the actors (Commedia dell'Arte); on the other one, the deep and tight cultural exchange which stands behind the courtesan theatre.
which stand at the base of the renaissance and baroque theatre (XVI-XVII centuries): on a side, the professionalism of the actors (Commedia dell'Arte); on the other one, the deep and tight cultural exchange which stands behind the courtesan theatre.
Suggested readings (Search our library's catalogue)
J. Le Goff, Documento/monumento, voce in Enciclopedia Einaudi, Torino, Einaudi, 1978, vol. V, pp. 38-48
S. Mamone, Dèi, Semidei, Uomini. Lo spettacolo a Firenze tra neoplatonismo e realtà borghese (XV-XVII secolo), Bulzoni, Roma, 2003
S. Mazzoni, L'Olimpico di Vicenza. Un teatro e la sua «Perpetua memoria», Firenze, Le Lettere, 1998
S. Ferrone, Attori, mercanti, corsari. La Commedia dell’Arte in Europa tra Cinque e Seicento, Torino, Einaudi, 2011
S. Mamone, Introduzione, in Serenissimi fratelli principi impresari. Notizie di spettacolo nei carteggi medicei. Carteggi di Giovan Carlo de' Medici e di Desiderio Montemagni suo segretario (1628-1664), Firenze, Le Lettere, 2003, pp. VII-LXVIII
S. Mamone, Dèi, Semidei, Uomini. Lo spettacolo a Firenze tra neoplatonismo e realtà borghese (XV-XVII secolo), Bulzoni, Roma, 2003
S. Mazzoni, L'Olimpico di Vicenza. Un teatro e la sua «Perpetua memoria», Firenze, Le Lettere, 1998
S. Ferrone, Attori, mercanti, corsari. La Commedia dell’Arte in Europa tra Cinque e Seicento, Torino, Einaudi, 2011
S. Mamone, Introduzione, in Serenissimi fratelli principi impresari. Notizie di spettacolo nei carteggi medicei. Carteggi di Giovan Carlo de' Medici e di Desiderio Montemagni suo segretario (1628-1664), Firenze, Le Lettere, 2003, pp. VII-LXVIII
Learning Objectives
Being a course of the second grade degree, it aims to integrate the basic knowledge of the bibliography with a deeper investigation withing the complexity of the Baroque spectacle and of the Ancient Regime societies.
Prerequisites
The students must have achieved 18 cfu in the disciplines of the area L-ART/05.
Teaching Methods
Frontal lessons and vision of multimedial supports.
Further information
The bibliography doesn't cover for the frequency of the course. The unauthorized use of photocopies is a violation of the law 248/2000.
Type of Assessment
Oral examination. During the esamination, students must prove to have acquainted the bases of the discipline, the key ideas and to refer them with a critical exposition.