The course will focus on the major authors, periods and genres in English literary culture in their historical contexts. Relevant analytical and interpretative strategies are introduced to enable students to develop a clear critical thinking and an understanding of a wide range of twentieth-century literary writing in English.
Course Content - Last names M-Z
The course will focus on the major authors, periods and genres in English literary culture in their historical contexts. Relevant analytical and interpretative strategies are introduced to enable students to develop a clear critical thinking and an understanding of a wide range of literary writing in English, from the 20th century to the 21st
century.
S. BECKETT, Waiting for Godot, London, Faber, 2006.
T.S. ELIOT, La terra desolata, a cura di A. Serpieri, Milano, BUR 1985.
T.S. ELIOT, “Ulysses: Order and Myth” (1923), in A Modernist Reader. Modernism in England 1910-1930, ed. by P. Faulkner, London, B.T. Batsford, 1986, pp. 100-104.
J. JOYCE, Dubliners, ed. J. Johnson Brown, Oxford, OUP, 2000.
E.A. POE, “Twice-Told Tales A Review” (1842), in Essays and Reviews, New York, The Library of America, 1984, pp. 569-77.
E. POUND, "In a Station of the Metro", "L'Art", "Tsai Chi'h", "Alba".
V. WOOLF, “An Unwritten Novel”, “The Mark on the Wall”, “Kew Gardens”, “Mrs Dalloway in Bond Street”, in The Complete Shorter Fiction of Virginia Woolf, ed. S. Dick, San Diego, CA, Mariner Books, 1989 (second edition).
V. WOOLF, “Modern Fiction (1919/1925)”, in A Modernist Reader. Modernism in England 1910-1930, ed. by P. Faulkner, London, B.T. Batsford, 1986, pp. 105-112.
A) Texts (reading should include: prefaces, introductions, notes and afterwords)
J. JOYCE, Dubliners, ed. J. Johnson Brown, Oxford, OUP, 2000.
T.S. ELIOT, La terra desolata, a cura di A. Serpieri, Milano, BUR 1985.
S. BECKETT, Waiting for Godot, London, Faber, 2006.
M. LOWRY, Under the Volcano, intr. by S. Spender, New York, HarperCollins Publishers, 2007. (Harper Perennial Modern Classics, with an afterword by William T. Vollmann).
* E.A. POE, “Twice-Told Tales A Review” (1842), in Essays and Reviews, New York, The Library of America, 1984, pp. 569-77.
* V. WOOLF, “Modern Fiction (1919/1925)”, in A Modernist Reader. Modernism in England 1910-1930, ed. by P. Faulkner, London, B.T. Batsford, 1986, pp. 105-112.
* T.S. ELIOT, “Ulysses: Order and Myth” (1923), in A Modernist Reader. Modernism in England 1910-1930, ed. by P. Faulkner, London, B.T. Batsford, 1986, pp. 100-104.
* E. POUND, “In a Station of the Metro”, “L’Art”, “Ts’ai Chi’h”, “Alba” (in fotocopia)
B) CRITICISM:
P. Bertinetti, a cura di, Storia della letteratura inglese, vol. 2, Torino, Einaudi, 2000, pp. 164-415 (saggi di Cianci; Splendore e Bertinetti). Il volume è disponibile presso la Biblioteca di Facoltà: segnatura LTCOLL IT 491 / 60.
F. Frigerio, Modernismo e Modernità. Per un ritratto della letteratura inglese 1900-1940, Torino, Einaudi 2014, pp. 5-97.
* O. De Zordo, “Malcolm Lowry e la ri-scrittura del Modernismo”, in G. Cianci, a cura di, Modernismo/Modernismi, Milano, Principato, 1991, pp. 544-558.
* M. Esslin, “Introduction: The Absurdity of the Absurd”, e “Samuel Beckett: the Search for the Self”, in Id., The Theatre of Absurd, Harmondsworth, Penguin, 1982, pp. 19-91.
*J. M. Garrison, “Dubliners: Portraits of the Artist as a Narrator”, NOVEL: A Forum on Fiction, Vol. 8, No. 3 (Spring, 1975), pp. 226-240.
* F. Gozzi, “La rottura dei codici: il linguaggio protagonista”, in G. Cianci, a cura di, Modernismo/Modernismi, Milano, Principato, 1991, pp. 290- 313.
*P. A. McCarthy, “Lowry's Forest of Symbols: Reading in Under the Volcano”, Journal of Modern Literature, Vol. 19, No. 1 (Summer, 1994), pp. 55-72
* G. Melchiori, Joyce: il mestiere dello scrittore, Torino, Einaudi, 1994, pp. 78-88.
C) REFERENCE TEXTS:
G. Cianci, a cura di, Modernismo/Modernismi, Milano, Principato, 1991.
F. Marenco, a cura di, Storia della civiltà letteraria inglese, vol. 3: “Il ‘Moderno’ dopoguerra e Postmoderno. Le letterature di lingua inglese”, Torino, UTET, 1996
Learning Objectives - Last names A-L
The course (72 hours) will focus on the study of 20th century
literature in English. Aims of the course:
a. to introduce students to the different literary genres;
b. to familiarize students with the critical instruments required for the
analysis of literary texts;
c. to enable students to develop a critical consciousness and an
awareness of critical and culture theory through detailed analyses of
some the most representative texts of twentieth-century literatures in English.
Learning Objectives - Last names M-Z
The course (72 hours) will focus on the study of 20th and 21st century
literature in English. Aims of the course:
a. to introduce students to the different literary genres;
b. to familiarize students with the critical instruments required for the
analysis of literary texts;
c. to enable students to develop a critical consciousness and an
awareness of critical and culture theory through detailed analyses of
some the most representative texts of literatures in English of the last two centuries.
Prerequisites - Last names A-L
ONLY students who have passed the Lingua Inglese 1 exam can sit for the Letteratura inglese 1 exam. The Lingua Inglese 1 final mark must be recorded on the Student's libretto BEFORE taking the Literature exam.
Prerequisites - Last names M-Z
ONLY students who have passed the Lingua Inglese 1 exam can sit for the Letteratura inglese 1 exam. The Lingua Inglese 1 final mark must be recorded on the Student's libretto BEFORE taking the Literature exam.
Teaching Methods - Last names A-L
lectures and seminars
Teaching Methods - Last names M-Z
lectures and seminars
Further information - Last names A-L
Students will be divided into 2 groups:
Group one: Students studying Chinese, Japanese, Scandinavian languages, Slavic lnaguages, Portuguese (Prof. Donatella Pallotti).
Group two: Students studying Arabic, Hebrew, Finno-Ugric languages, French, German, Spanish, Turkish (Prof. Fiorenzo Fantaccini)
The course takes place in the first semester. Further information will be given at the beginning of the course.
Further information - Last names M-Z
Students will be divided into 2 groups:
Group one: Students studying Chinese, Japanese, Portuguese, Slavonic Languages, Nordic Languages (Prof. Donatella Pallotti)
Group two: Students studying French, German, Spanish, Turkish, German, Finnish, Italo- Hungarian studies (Prof. Fiorenzo Fantaccini).
Further information will be given at the beginning of the course.
Type of Assessment - Last names A-L
written or/and oral exam
Type of Assessment - Last names M-Z
written or/and oral exam
Course program - Last names A-L
The course introduces students to the world of literatures in English, through detailed analyses of some the most representative texts of the 20th century. Particular attention will be paid to the development of literary genres, which will be considered from in their historical, cultural and stylistic aspects. In order to enable students to develop a critical consciousness, the course will examine the basic mechanisms of literature’s formal elements and introduce the main critical instruments for the analysis of literary texts.
The course introduces students to the world of literatures in English, through detailed analyses of some the most representative texts of the 20th century. Particular attention will be paid to the development of literary genres, which will be considered from in their historical, cultural and stylistic aspects. In order to enable students to develop a critical consciousness, the course will examine the basic mechanisms of literature’s formal elements and introduce the main critical instruments for the analysis of literary texts.
READING LIST
A) Key Texts: (reading should include: prefaces, introductions, notes and afterwords)
S. BECKETT, Waiting for Godot, London, Faber, 2006.
T.S. ELIOT, La terra desolata, a cura di A. Serpieri, Milano, BUR 1985.
T.S. ELIOT, “Ulysses: Order and Myth” (1923), in A Modernist Reader. Modernism in England 1910-1930, ed. by P. Faulkner, London, B.T. Batsford, 1986, pp. 100-104.
J. JOYCE, Dubliners, ed. J. Johnson Brown, Oxford, OUP, 2000.
E.A. POE, “Twice-Told Tales A Review” (1842), in Essays and Reviews, New York, The Library of America, 1984, pp. 569-77.
E. POUND, "In a Station of the Metro", "L'Art", "Tsai Chi'h", "Alba".
V. WOOLF, “An Unwritten Novel”, “The Mark on the Wall”, “Kew Gardens”, “Mrs Dalloway in Bond Street”, in The Complete Shorter Fiction of Virginia Woolf, ed. S. Dick, San Diego, CA, Mariner Books, 1989 (second edition).
V. WOOLF, “Modern Fiction (1919/1925)”, in A Modernist Reader. Modernism in England 1910-1930, ed. by P. Faulkner, London, B.T. Batsford, 1986, pp. 105-112.
B) Background Reading
P. Bertinetti, a cura di, Storia della letteratura inglese, vol. 2, Torino, Einaudi, 2000, pp. 164-415 (saggi di Cianci, Splendore e Bertinetti). Il volume è disponibile presso la Biblioteca Umanistica: segnatura LTCOLL IT 491 / 60).
* C. Concilio, “L’isotopia dello sguardo in alcuni racconti di Virginia Woolf”, pp.113-124.
* M. Esslin, “Introduction: The Absurdity of the Absurd”, e “Samuel Beckett: the Search for the Self”, in Id., The Theatre of Absurd, Harmondsworth, Penguin, 1982, pp. 19-91.
*J.M. Garrison, “Dubliners: Portrait of the Artist as a Narrator”, NOVEL: A Forum in Fiction, 3, 1975, pp. 226-240.
* F. Gozzi, “La rottura dei codici: il linguaggio protagonista”, in G. Cianci, a cura di, Modernismo/Modernismi, Milano, Principato, 1991, pp. 290- 313.
* G. Melchiori, Joyce: il mestiere dello scrittore, Torino, Einaudi, 1994, pp. 78-88.
Suggested Further Reading
G. Cianci, a cura di, Modernismo/Modernismi, Milano, Principato, 1991.
F. Frigerio, Modernismo e Modernità. Per un ritratto della letteratura inglese 1900-1940, Torino, Einuadi, 2014, pp. 5-97.
F. Marenco, a cura di, Storia della civiltà letteraria inglese, vol. 3: “Il ‘Moderno’ dopoguerra e Postmoderno. Le letterature di lingua inglese”, Torino, UTET, 1996.
Course program - Last names M-Z
READING LIST
A) Key Texts: (reading should include: prefaces, introductions, notes and afterwords)
J. JOYCE, Dubliners, ed. J. Johnson Brown, Oxford, OUP, 2000.
T.S. ELIOT, La terra desolata, a cura di A. Serpieri, Milano, BUR 1985.
S. BECKETT, Waiting for Godot, London, Faber, 2006.
M. LOWRY, Under the Volcano, intr. by S. Spender, New York, HarperCollins Publishers, 2007. (Harper Perennial Modern Classics, with an afterword by William T. Vollmann).
* E.A. POE, “Twice-Told Tales A Review” (1842), in Essays and Reviews, New York, The Library of America, 1984, pp. 569-77.
* V. WOOLF, “Modern Fiction (1919/1925)”, in A Modernist Reader. Modernism in England 1910-1930, ed. by P. Faulkner, London, B.T. Batsford, 1986, pp. 105-112.
* T.S. ELIOT, “Ulysses: Order and Myth” (1923), in A Modernist Reader. Modernism in England 1910-1930, ed. by P. Faulkner, London, B.T. Batsford, 1986, pp. 100-104.
* E. POUND, “In a Station of the Metro”, “L’Art”, “Ts’ai Chi’h”, “Alba” (in fotocopia)
B) CRITICISM:
P. Bertinetti, a cura di, Storia della letteratura inglese, vol. 2, Torino, Einaudi, 2000, pp. 164-415 (saggi di Cianci; Splendore e Bertinetti).
F. Frigerio, Modernismo e Modernità. Per un ritratto della letteratura inglese 1900-1940, Torino, Einaudi 2014, pp. 5-97.
* O. De Zordo, “Malcolm Lowry e la ri-scrittura del Modernismo”, in G. Cianci, a cura di, Modernismo/Modernismi, Milano, Principato, 1991, pp. 544-558.
* M. Esslin, “Introduction: The Absurdity of the Absurd”, e “Samuel Beckett: the Search for the Self”, in Id., The Theatre of Absurd, Harmondsworth, Penguin, 1982, pp. 19-91.
*J. M. Garrison, “Dubliners: Portraits of the Artist as a Narrator”, NOVEL: A Forum on Fiction, Vol. 8, No. 3 (Spring, 1975), pp. 226-240.
* F. Gozzi, “La rottura dei codici: il linguaggio protagonista”, in G. Cianci, a cura di, Modernismo/Modernismi, Milano, Principato, 1991, pp. 290- 313.
*P. A. McCarthy, “Lowry's Forest of Symbols: Reading in Under the Volcano”, Journal of Modern Literature, Vol. 19, No. 1 (Summer, 1994), pp. 55-72
* G. Melchiori, Joyce: il mestiere dello scrittore, Torino, Einaudi, 1994, pp. 78-88.
C) Reference texts:
G. Cianci, a cura di, Modernismo/Modernismi, Milano, Principato, 1991.
F. Marenco, a cura di, Storia della civiltà letteraria inglese, vol. 3: “Il ‘Moderno’ dopoguerra e Postmoderno. Le letterature di lingua inglese”, Torino, UTET, 1996