- Sandro Bernardi, L'avventura del cinematografo. Storia di un'arte e di un linguaggio, Marsilio, Venezia, 2007.
- Federico Pierotti, Un'archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni, ETS, Pisa, 2016.
Learning Objectives
Knowledge and understanding: basic knowledge of the main periods of film history and understanding of narrative forms and styles of each period.
Applying knowledge and understanding: basic knowledge of film analysis’ methods and understanding of film techniques.
Making judgements: basic analytical skills in the field of film form.
Communication skills: use of proper terms of film analysis, film style and cinematic language.
Learning skills: autonomous use of basic analytical tools for the study of cinematic narration and style.
Prerequisites
None
Teaching Methods
Lessons with projections of film sequences.
Further information
Students must enroll in the course using the e-learning website Moodle.
The Password will be released on September 18th and will be disabled at the end of the course.
Type of Assessment
Written test. Open answers about: a) the subjects discussed during the course; b) slides and films on MOODLE website; c) bibliography and filmography of the course program. The choice of the questions is random and the latter will be chosen among a series of predefined questions that will be published on the MOODLE website. Students will have two hours for the test. The test will be corrected within 15 days.
DAMS students will have a different bibliography and filmography. For further information, please consult the MOODLE website at e-l.unifi.it
Course program
For further details see the Moodle website.
SYLLABUS
1. Early cinema: the cinema of attractions
2. The birth of narrative cinema
3. Soviet Avant-garde cinema
4. Battleship Potemkin (Bronenosec Potemkin, Sergej M. Ejzenstejn, 1925)
5. French Avant-garde cinema
6. German Avant-garde cinema
7. Dr. Caligari (Das Cabinet des Dr. Caligari, Robert Wiene, 1919)
8. Classical Hollywood cinema: studio system & star system
9. Classical Hollywood cinema: classic style and authorship
10. Citizen Kane (Orson Welles, 1941)
11. Italian Neorealism cinema
12. New Wave French cinema
13. Italian cinema of the Sixties
14. Red Desert (Il deserto rosso, Michelangelo Antonioni, 1964)
15. The art-cinema in the Sixties
16. 2001: A Space Odyssey (Stanley Kubrick, 1968)
17. Contemporary cinema
18. The Matrix (Andy and Larry Wachowski, 1999)